Pale, trunk-like forms lean through a blue-grey space in “Nature's collapse” by Birthe Villaume. White and cool turquoise strokes gather near the centre, where dark fields and sharp contours interrupt their passage. Fine, branch-like lines extend towards the upper edge, some accented with yellow and green.
Deep green, olive and golden-yellow areas surround the pale forms. On the right, a cool, light field opens beneath a broad blue movement, while undulating bands of white, grey, pink and ochre shape the foreground. Black lines follow selected edges, contrasting with softer, more diffuse transitions of colour.
The title may invite the viewer to experience nature out of balance, with forms leaning, breaking or shifting. The painting remains partly abstract, allowing suggestions of trees, branches and terrain without defining a particular event. The vertical 80 × 100 cm format emphasises the tension between the upward-reaching shapes and the horizontal movements below.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
- Original acrylic painting on canvas by Birthe Villauma.
- Painted on the edges and looks perfect without frame.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
Pale, trunk-like forms lean through a blue-grey space in “Nature's collapse” by Birthe Villaume. White and cool turquoise strokes gather near the centre, where dark fields and sharp contours interrupt their passage. Fine, branch-like lines extend towards the upper edge, some accented with yellow and green.
Deep green, olive and golden-yellow areas surround the pale forms. On the right, a cool, light field opens beneath a broad blue movement, while undulating bands of white, grey, pink and ochre shape the foreground. Black lines follow selected edges, contrasting with softer, more diffuse transitions of colour.
The title may invite the viewer to experience nature out of balance, with forms leaning, breaking or shifting. The painting remains partly abstract, allowing suggestions of trees, branches and terrain without defining a particular event. The vertical 80 × 100 cm format emphasises the tension between the upward-reaching shapes and the horizontal movements below.
Also appears in
