Black, white and turquoise passages spread across a pale ground in “Eternal flow” by Fardin Yasami. On the left, deep blue-green, grey and sandy fields gather in broad, undulating forms. From here, long lines and branching trails of colour travel through the centre towards the right, where the marks become more open and finely dispersed.
The composition alternates between dense masses of colour and a network of slender strokes, splashes and small droplets. Vivid turquoise accents emerge among the dark marks, while white spaces introduce light and pauses within the movement. Diagonal passages intersect, creating a rhythm that changes across the broad canvas.
The title may invite the viewer to experience the subject as a continuous flow in which forms gather, break apart and find new directions. The painting remains abstract, suggesting water, branching structures or forces in motion without describing a particular place. The distinctly horizontal 220 × 100 cm format provides room for both sweeping movements of colour and delicate details.
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- Original acrylic painting on canvas by Fardin Yasami.
- Painted on the edges and looks perfect without frame.
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"Der er også brugt groft sand og vand på lærredet." Fardin Yasami
- Signed by the artist.
- Any questions regarding this artwork, please contact us.
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Black, white and turquoise passages spread across a pale ground in “Eternal flow” by Fardin Yasami. On the left, deep blue-green, grey and sandy fields gather in broad, undulating forms. From here, long lines and branching trails of colour travel through the centre towards the right, where the marks become more open and finely dispersed.
The composition alternates between dense masses of colour and a network of slender strokes, splashes and small droplets. Vivid turquoise accents emerge among the dark marks, while white spaces introduce light and pauses within the movement. Diagonal passages intersect, creating a rhythm that changes across the broad canvas.
The title may invite the viewer to experience the subject as a continuous flow in which forms gather, break apart and find new directions. The painting remains abstract, suggesting water, branching structures or forces in motion without describing a particular place. The distinctly horizontal 220 × 100 cm format provides room for both sweeping movements of colour and delicate details.
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