Vivid pink, rose and red trails of colour rise through a pale background in “Beautiful Chaos” by Fardin Yasami. Long, slender passages intersect among broader bands of white, beige, brown and violet. Near-black fields gather below, creating a striking contrast with the brightness and movement of the colours.
The composition is most densely worked in the lower half, where winding shapes, splashes and fine threads overlap. From here, colour extends into more open areas of white and pale blue, with small droplets scattered around the larger movements. Some bands contain smooth, clearly separated stripes of colour, while others break into irregular edges and branching marks.
The title may point towards the tension between unpredictability and the connections emerging across the painting. The subject remains abstract, though the ascending lines may suggest growth, fountains or an eruption of energy. The large square 150 × 150 cm format provides room for both sweeping movements of colour and the many small details.
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Beautiful Chaos (150x150cm)
Regular price 15.500 kr.
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Original painting
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- Original acrylic painting on canvas by Fardin Yasami.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Any questions regarding this artwork, please contact us.
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Vivid pink, rose and red trails of colour rise through a pale background in “Beautiful Chaos” by Fardin Yasami. Long, slender passages intersect among broader bands of white, beige, brown and violet. Near-black fields gather below, creating a striking contrast with the brightness and movement of the colours.
The composition is most densely worked in the lower half, where winding shapes, splashes and fine threads overlap. From here, colour extends into more open areas of white and pale blue, with small droplets scattered around the larger movements. Some bands contain smooth, clearly separated stripes of colour, while others break into irregular edges and branching marks.
The title may point towards the tension between unpredictability and the connections emerging across the painting. The subject remains abstract, though the ascending lines may suggest growth, fountains or an eruption of energy. The large square 150 × 150 cm format provides room for both sweeping movements of colour and the many small details.
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