Pale turquoise, grey-white and muted olive-green fields meet in “Untitled” by Rie Brødsgaard. A broad, luminous area opens through the centre, surrounded by darker concentrations along the left side and towards the lower right. Small ochre and brown accents bring warmth to the predominantly cool palette.
Black, branching structures spread across several colour fields. Some are dense and web-like, while others continue as slender lines through the open spaces. White contours and fine pale marks cross the darker forms. Broad strokes and broken transitions create variety between distinct marks and softer, more diffuse passages.
The subject may evoke branches over water, roots or organic networks, yet remains abstract and open. The contrast between the pale centre and dark branching forms creates both calm and tension. The vertical 90 × 120 cm format allows the eye to follow delicate connections between the composition’s offset shapes.
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- Original acrylic painting on canvas by Rie Brødsgaard.
- Painted white on the edges, and looks perfect without frame.
- Signed by the artist.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
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Pale turquoise, grey-white and muted olive-green fields meet in “Untitled” by Rie Brødsgaard. A broad, luminous area opens through the centre, surrounded by darker concentrations along the left side and towards the lower right. Small ochre and brown accents bring warmth to the predominantly cool palette.
Black, branching structures spread across several colour fields. Some are dense and web-like, while others continue as slender lines through the open spaces. White contours and fine pale marks cross the darker forms. Broad strokes and broken transitions create variety between distinct marks and softer, more diffuse passages.
The subject may evoke branches over water, roots or organic networks, yet remains abstract and open. The contrast between the pale centre and dark branching forms creates both calm and tension. The vertical 90 × 120 cm format allows the eye to follow delicate connections between the composition’s offset shapes.
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