Golden, bronze-like and muted olive-green forms flow through a near-black background in “Souls in the dark” by Charlotte Olsen. A broad diagonal passage travels from the upper left towards the lower-right corner. Along its edges, fine pointed shapes extend into the darkness.
The colours gather into dense, marbled patterns of winding lines and closely layered folds. Pale golden passages alternate with brownish and green shades, while dark stripes divide the movement. Around the intricate central passage, larger dark fields provide space for quieter traces.
The title may invite the viewer to sense figures or a presence within the organic shapes, without the painting depicting clearly defined beings. The forms might also suggest veins in stone, currents or a landscape in transformation. The vertical 40 × 50 cm format emphasises the diagonal movement and the tension between luminous details and deep darkness.
We'll photoshop the painting onto your wall and send you a picture the same day — free and with no obligation.
Souls in the dark (40x50cm)
Regular price 3.800 kr.
Unique piece
Original painting
Free delivery
Fast to your door
14-day return policy
Full satisfaction
- Original acrylic painting on canvas by Charlotte Olsen.
- Painted on the edges and looks perfect without frame.
-
"Kommer med et 'certificate of authenticity', og er skabt i mit atelier i København." Charlotte Olsen
- Signed by the artist.
- Varnished.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Golden, bronze-like and muted olive-green forms flow through a near-black background in “Souls in the dark” by Charlotte Olsen. A broad diagonal passage travels from the upper left towards the lower-right corner. Along its edges, fine pointed shapes extend into the darkness.
The colours gather into dense, marbled patterns of winding lines and closely layered folds. Pale golden passages alternate with brownish and green shades, while dark stripes divide the movement. Around the intricate central passage, larger dark fields provide space for quieter traces.
The title may invite the viewer to sense figures or a presence within the organic shapes, without the painting depicting clearly defined beings. The forms might also suggest veins in stone, currents or a landscape in transformation. The vertical 40 × 50 cm format emphasises the diagonal movement and the tension between luminous details and deep darkness.
Also appears in
