Turquoise-blue eyes stand out against the grey-toned face in “Nicella” by Mia Färm. The portrait fills almost the entire canvas, built from fields of black, white, grey and muted beige. Dark brows and shadows around the eyes intensify the gaze, while pale strokes highlight the bridge of the nose, lips and chin.
Gold leaf appears in irregular passages along the sides of the face, bringing warmth to the cool tones. Long golden trails of paint curve and ripple across the forehead, cheeks and mouth. Thin white lines cross them diagonally, and occasional small splashes introduce delicate details between the broad brushstrokes.
The direct gaze provides a steady focal point, while the freely applied lines move independently of the facial forms. This interplay between clearly rendered features and abstract marks gives the portrait both calm and movement. The square 40 × 40 cm format concentrates the expression and invites close attention to subtle differences in colour and surface.
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- Original acrylic painting with gold leaf on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Turquoise-blue eyes stand out against the grey-toned face in “Nicella” by Mia Färm. The portrait fills almost the entire canvas, built from fields of black, white, grey and muted beige. Dark brows and shadows around the eyes intensify the gaze, while pale strokes highlight the bridge of the nose, lips and chin.
Gold leaf appears in irregular passages along the sides of the face, bringing warmth to the cool tones. Long golden trails of paint curve and ripple across the forehead, cheeks and mouth. Thin white lines cross them diagonally, and occasional small splashes introduce delicate details between the broad brushstrokes.
The direct gaze provides a steady focal point, while the freely applied lines move independently of the facial forms. This interplay between clearly rendered features and abstract marks gives the portrait both calm and movement. The square 40 × 40 cm format concentrates the expression and invites close attention to subtle differences in colour and surface.
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