Vivid turquoise-blue eyes and full red and pink lips meet the viewer in “Giggi” by Mia Färm. The face fills almost the entire canvas, built from bold fields of turquoise, coral, green and yellow. Dark blue and burgundy passages around the eyes and along the sides of the face contrast with the lighter areas.
Broad brushstrokes and distinct colour edges shape the cheeks, nose and chin. White and pale blue fields brighten the cheeks, while a long, pale stroke emphasises the bridge of the nose. Thin white lines sweep across the face in broad curves, accompanied by small splashes. A single dark turquoise line forms a loop over the cheek on the right.
The direct gaze provides a quiet focal point within the vibrant composition. Clearly rendered eyes meet a freer treatment of the remaining facial areas, where colours both create form and remain independent marks. The square 100 × 100 cm format and close cropping reinforce the portrait’s striking presence.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Vivid turquoise-blue eyes and full red and pink lips meet the viewer in “Giggi” by Mia Färm. The face fills almost the entire canvas, built from bold fields of turquoise, coral, green and yellow. Dark blue and burgundy passages around the eyes and along the sides of the face contrast with the lighter areas.
Broad brushstrokes and distinct colour edges shape the cheeks, nose and chin. White and pale blue fields brighten the cheeks, while a long, pale stroke emphasises the bridge of the nose. Thin white lines sweep across the face in broad curves, accompanied by small splashes. A single dark turquoise line forms a loop over the cheek on the right.
The direct gaze provides a quiet focal point within the vibrant composition. Clearly rendered eyes meet a freer treatment of the remaining facial areas, where colours both create form and remain independent marks. The square 100 × 100 cm format and close cropping reinforce the portrait’s striking presence.
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