A woman’s face with clear turquoise-blue eyes fills almost the entire canvas in “Becky” by Mia Färm. The gaze is directed at the viewer, framed by pronounced black brows and eye contours. Red and pink lips provide a warm focal point beneath the nose, while lime-green, coral and turquoise fields divide the face into luminous contrasts.
Broad, overlapping strokes shape the cheeks, forehead and chin without following natural skin tones. Pale-grey and near-white areas create breathing space between the vivid colours, while deep blue and violet passages gather along the left side. Fine white lines cross the portrait, and small splashes introduce a lighter, more spontaneous rhythm among the large colour fields.
The close cropping brings the face forward, making both the gaze and the traces of paint central to the experience. Mia Färm herself emphasises the work’s capacity to bring personality and vibrancy to a room. The square 100 × 100 cm format accommodates both the distinct facial features and the free interplay of colour around them.
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- Original acrylic painting on canvas by Mia Färm.
- Painted on the edges and looks perfect without frame.
- "This is a piece that doesn't just decorate a space – it transforms it. "Becky" is perfect for anyone looking for modern, eye-catching art that adds personality and vibrancy to a room." Mia Färm
- Signed by the artist.
- Varnished.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
A woman’s face with clear turquoise-blue eyes fills almost the entire canvas in “Becky” by Mia Färm. The gaze is directed at the viewer, framed by pronounced black brows and eye contours. Red and pink lips provide a warm focal point beneath the nose, while lime-green, coral and turquoise fields divide the face into luminous contrasts.
Broad, overlapping strokes shape the cheeks, forehead and chin without following natural skin tones. Pale-grey and near-white areas create breathing space between the vivid colours, while deep blue and violet passages gather along the left side. Fine white lines cross the portrait, and small splashes introduce a lighter, more spontaneous rhythm among the large colour fields.
The close cropping brings the face forward, making both the gaze and the traces of paint central to the experience. Mia Färm herself emphasises the work’s capacity to bring personality and vibrancy to a room. The square 100 × 100 cm format accommodates both the distinct facial features and the free interplay of colour around them.
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