Two pale birch trunks rise before layers of turquoise, dusty pink, violet and warm ochre in “Untitled” by Trine Birkenfeldt. Black bark markings stand out against the creamy white trunks, while slender branches spread towards the upper edge. A pale greyish background surrounds the subject, creating breathing space around the colourful centre.
Dark plant silhouettes rise from the lower edge, with delicate stems, leaves and branching seed heads. Winding burgundy lines move between the trees, and small dark splashes interrupt the pale areas. Visible brushmarks, thin trails of colour and overlapping layers create variety between the recognisable natural forms and the freer background.
The work combines a woodland subject with abstract fields of colour and graphic details. White trunks offer a quiet point of focus, while the colours behind them may evoke changing seasons, light or the memory of a landscape. The square 100 × 100 cm format emphasises the trees’ vertical movement and offers space to explore the delicate forms of the undergrowth.
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Untitled (100x100cm)
Regular price 8.000 kr.
Unique piece
Original painting
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14-day return policy
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- Original acrylic painting on canvas by Trine Birkenfeldt.
- Signed by the artist and painted with many layers.
- With fixings on the backside, ready to be put on your wall.
- Any questions regarding this artwork, please contact us.
... If you need more photos, please contact us.
Two pale birch trunks rise before layers of turquoise, dusty pink, violet and warm ochre in “Untitled” by Trine Birkenfeldt. Black bark markings stand out against the creamy white trunks, while slender branches spread towards the upper edge. A pale greyish background surrounds the subject, creating breathing space around the colourful centre.
Dark plant silhouettes rise from the lower edge, with delicate stems, leaves and branching seed heads. Winding burgundy lines move between the trees, and small dark splashes interrupt the pale areas. Visible brushmarks, thin trails of colour and overlapping layers create variety between the recognisable natural forms and the freer background.
The work combines a woodland subject with abstract fields of colour and graphic details. White trunks offer a quiet point of focus, while the colours behind them may evoke changing seasons, light or the memory of a landscape. The square 100 × 100 cm format emphasises the trees’ vertical movement and offers space to explore the delicate forms of the undergrowth.
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